Live At The Dragon Boat Festival

"Think oranges apples and sunshine and a road of yesses. Katherine Park has a voice like an angel riding the wish of all seasons, moods and moments, traditionally left to poets, painters, to dreamers and lovers. Think Alison Goldfrapp and Will Gregory of Goldfrapp, meets the silky tones of Marilyn McCoo from the Fifth Dimension." - Jerry Thompson (Lifoti Magazine)

“We meet Bertha sitting in a swing, teasing our disconsolate friend, while wearing more bracelets on her arm than are probably allowed by law. She’s got cool glasses, the kind of attitude I adored when teaching (Oh, shush, Mr. Kahane) and jostles Lana in a way that is flirty, but only a little."

— Gene Kahane, Alameda Post

"An exchange between Lana and Bertha (Katherine Park) about monotone voices is utterly ridiculous in all the right ways."

— Bobby LePire, film threat

Finally, whereas Eleanor of Aquitaine harbors ambitions, she is the most gentle of the four, played with finesse and subtle humor by Katherine Park. Eleanor’s leitmotif is patience, which she urges to her unborn as she rubs her pregnant belly. Like Maude, who envies common people because they can look for love, Eleanor also values love and wishes she had a more normal upbringing that would have allowed non-political connections.

— Victor Cordell, Cordell Reports

We'll Glow In The Dark Forever

"Next we have Katherine Park, Katherine Park from California ... as I was listening to this song, I'm thinking, 'Hm, I could imagine this in a film,' that was a very acute observation I made, if I do say so myself... very cinematic, I know, just beautifully sung, nice piano, just an interesting experience, we do like to have our solo artists on the show, we do, we've had some spectacular voices over the course of 21 episodes, and this is another one to add to the list as far as I'm concerned. 'boop' on the list 'boop'." - James and Jacob of Lone Frequencies

SONATINE DREAM

James: We received this EP.

Jacob: We did.

James: We delved into this EP.

Jacob: We did. ... "Each Song a different perspective, or side, if you will, of what Katherine Park can do. It's gentle and personal. With that track in particular, and we've said this before, there's something to be said about starting with an interesting bit. Let's go!... That song was straight into it, bosh, ::claps::, THE BELLS, I thought that was interesting, it shows a bit of nowse, isn't it, so, if you like that go and listen to the EP for- more nowse, yes go and get some nowse from Katherine Park, there's not enough nowse is there? Nah. But Katherine Park's got enough to go around. A surplus of nowse... one of the other songs goes into a different vibe... different perspectives, it's cool, strings to your bow, that's sort of what she's used this EP for, isn't it, to display different characteristics, musically, that she has at her disposal, that's a good idea, why not? Exactly." -James and Jacob, LONE FREQUENCIES